In Stock
1
$195.00
Product Description
"House at Midnight" (2025) is a one-off image from Yanow's BFA thesis Super Silver Haze. Super Silver Haze is a photographic diary, archival excavation, and experiential process of connection with my grandfather, David, his photo practice, and the town of Aylmer, Ontario. Through my repeated visits and our one-on-one photo excursions, my grandfather and I used the ritual act of photography to talk, ask questions, and understand each other in ways we hadn’t before. Super Silver Haze serves as a bridge to building a deeper relationship with my grandfather, to honoring my family history, and to preserving a lineage of analog photo traditions.
Key Features
Title: House at Midnight
Artist: Marley Yanow
Year: 2025
Location: Aylmer, Ontario, CA
Open Edition
Framing (optional): Ebonized Wallnut
Face width 1 1/4", crafted in premium American hardwood
Lab Notes
Format: Hand Enlarged C-Print
Printed on: FUJIFILM Crystal Archive Digital Pro Type DPII Glossy
Camera: Mamiya 7
Film: Portra 400
The warmth of the Kodak Portra 400 stock is the defining element of this print. It renders the greens and the subtle blues of the distance with a creamy, natural saturation that feels true to memory. The 120 format introduces a gentle grain structure that softens the grand scale of the scene, making the home's ominousness feel intimate. The continuous tone of the silver halide print preserves the delicate atmospheric haze, creating a sense of depth that draws the eye straight to the horizon.
Due to the hand-made nature of the printing process, minor color variations may occur.
Each order is prepared with the same attention as the work itself, carefully packed by our team to ensure safe arrival.
At Nice we stand behind the quality of all our products.
About
Marley Yanow is a lens-based artist who uses photography to explore human physicality, interpersonal connections, and her relationship with the world around her. In the years following the pandemic and throughout her time in art school, her work has turned toward the many facets and interpretations of “home,” both literal and metaphorical. After a year of isolation and social deprivation during the global lockdown, Yanow realized that home was not tied to a single, fixed place. The loss of belonging within the larger world made photography an anchor—her way of reintroducing herself to the people and places that offered a sense of home beyond her own walls. Her practice reflects this search: photographing friendships, romances, familial relationships, landscapes, objects, and at times, herself. Through these images, Yanow traces the shifting boundaries of belonging, finding meaning in the moments and connections that shape the feeling of home.
“Photography gives me the power to collaborate, to go beyond myself, and to have a conversation with who or what I’m capturing.”
— Marley Yanow







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