In Stock
1
$595.00
Product Description
A crate of fresh citrus resting on a quiet ledge in Ostuni, Italy.
In the "White City" of Ostuni, color is a commodity. Italian Lemons focuses on a simple crate of citrus resting against the region's famous whitewashed stone. It is a quiet study in texture that contrasts the waxy, pitted rind of the lemons against the rough, sun-baked stucco. It feels less like a staged photo and more like a discovered still life.
Open edition with limited availability.
Developed & Hand Printed by Nice Film Club.
Signed by the artist and includes a Certificate of Authenticity.
Key Features
Title: Italian Lemons, Ostuni, Italy
Artist: Marcus Lloyd
Year: 2023
Open Edition
Framing (optional): Clear Maple
Face width 1 1/4", crafted in premium American hardwood
Lab Notes
Format: Hand Enlarged C-Print
Printed on: Fujifilm Crystal Archive DPII Glossy
Camera: Fuji GW690II
Lens: Fixed 90mm
Film: Kodak Portra 400
This image was captured on Medium Format film using a Fuji GW690II, a camera legendary for its sharpness. Because the original negative is so large, this silver halide print holds an insane amount of detail. You can practically feel the weight of the fruit and the grit of the wall. The Kodak Portra 400 stock renders the yellows with a warm, buttery depth that digital sensors often oversaturate into neon.
Due to the handmade nature of the printing process, minor color variations may occur.
Each order is prepared with the same attention as the work itself, carefully packed by our team to ensure safe arrival.
At Nice we stand behind the quality of all our products.
About
Marcus Lloyd is a New York-based photographer specializing in travel, architecture, and street documentary. With a cinematic eye and a love for film photography, he transforms everyday moments into evocative stories that feel like glimpses of an untold journey. Each image invites viewers to wander hidden streets, discover secret interiors, and experience the thrill of places yet to be explored.
“The darkroom process is very intimate ... because of the intention you begin to take with one single image. It’s a whole new level of slowing down in a process that already forces you to slow down. I’m also just a sucker for craftsmanship in so many forms; it’s a way for me to dive into my craft even more.”
— Marcus Lloyd







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