In Stock
1
$595.00
Product Description
A quiet table overlooking the edge of the Mediterranean.
There is a quiet romance in an empty table waiting for guests, or the lingering calm after they’ve left. Table for 2 frames a moment of stillness amidst the bustle of travel. It is an invitation to sit, to slow down, and to savor the conversation as much as the meal. It captures the essence of al fresco dining, where the atmosphere is the main course.
Open edition with limited availability.
Developed & Hand Printed by Nice Film Club.
Signed by the artist and includes a Certificate of Authenticity.
Key Features
Title: Table for 2, Marseille, France
Artist: Marcus Lloyd
Year: 2025
Open Edition
Framing (optional): Clear Maple
Face width 1 1/4", crafted in premium American hardwood
Lab Notes
Format: Hand Enlarged C-Print
Printed on: Fujifilm Crystal Archive DPII Glossy
Camera: Leica M6
Lens: 35mm Summicron
Film: Kodak Ultramax 400
This print is a masterclass in texture. Whether it’s the weave of a tablecloth, the glint of glassware, or the deep shadows cast by the midday sun, the silver halide process retains a tactile quality that digital printing often glosses over. The whites are crisp without blowing out, and the shadows hold their rich, cinematic density.
Due to the handmade nature of the printing process, minor color variations may occur.
Each order is prepared with the same attention as the work itself, carefully packed by our team to ensure safe arrival.
At Nice we stand behind the quality of all our products.
About
Marcus Lloyd is a New York-based photographer specializing in travel, architecture, and street documentary. With a cinematic eye and a love for film photography, he transforms everyday moments into evocative stories that feel like glimpses of an untold journey. Each image invites viewers to wander hidden streets, discover secret interiors, and experience the thrill of places yet to be explored.
“The darkroom process is very intimate ... because of the intention you begin to take with one single image. It’s a whole new level of slowing down in a process that already forces you to slow down. I’m also just a sucker for craftsmanship in so many forms; it’s a way for me to dive into my craft even more.”
— Marcus Lloyd







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