Untitled (The Excavators), 2025
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$465.00
Product Description
This land in Chinatown is under construction for a skyscraper prison, the tallest in the world. The mountain of land with the excavator on top depicts the harm and fear the infrastructure will bring to New Yorkers.
Open edition with limited availability.
Developed & Hand Printed by Nice Film Club.
Signed by the artist and includes a Certificate of Authenticity.
Key Features
Title: Untitled (The Excavators)
Artist: Stephanie Rodriguez
Year: 2025
Open Edition
Framing (optional): Clear Maple
Face width 1 1/4", crafted in premium American hardwood
Lab Notes
Format: Hand Enlarged C-Print
Printed on: FUJIFILM Crystal Archive Digital Pro Type DPII Glossy
Camera: Mamiya RZ 67
Lens: 120mm
Film: Portra 400
The raw grit of the terrain drives this print. Silver halide chemistry renders the chaotic rubble with a tactile definition that digital sensors often smooth over. The dynamic range expertly balances the deep excavation shadows against the bright city lights without losing detail. The grain structure itself mirrors the scene's cacophony, grounding the image in a heavy, industrial reality.
Due to the hand-made nature of the printing process, minor color variations may occur.
Handled with Care
Each order is prepared with the same attention as the work itself, carefully packed by our team to ensure safe arrival.
Quality Guaranteed
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Stephanie Rodriguez
About
Stephanie Rodriguez’s perspective is shaped by growing up in New York and witnessing the city’s ongoing transformations through the lens of photography. Her work gravitates toward infrastructure, material, and construction, reflecting a deep interest in how built environments hold layered histories. Central to her practice is a consideration of land ownership and the ways in which Lenape land—on which New York stands—carries stories of migration, refuge, and revolution. Her most recent body of work, 100th Street, created over the past year as part of her thesis, continues this exploration by tracing the intersections of place, history, and belonging.
Gallery
I think a lot about land ownership and the ways in which this Lenape land holds histories of migration, refuge, and revolution.
— Stephanie Rodriguez
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